French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Interior | Landscape_2 | Absinthe Drinker | Dance practising | Milliners (nn02) |
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George Loring Brown
American Hudson River School Painter, 1814-1889,American painter and illustrator. He was apprenticed at about 14 to the Boston wood-engraver Alonzo Hartwell and had produced scores of illustrations by 1832, when he turned to painting and sailed to Europe for further training. After brief stays in Antwerp and London, he settled in Paris, where he was admitted to the atelier of Eugene Isabey. Returning to America in 1834, Brown produced illustrations, portraits and landscapes. He travelled throughout the north-eastern USA, sketching in watercolour and in oil.
Jean-Baptiste Van Mour
17th Century Painters of the Bosporus,was a Flemish-French painter, remembered for his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III. Van Mour was a native of Valenciennes, a Flemish town that at he time of his birth belonged to the Spanish Netherlands, but since 1678 to France. He studied art in the studio of Jacques-Albert Gerin, and his work attracted the attention of an aristocrat and statesman of the time, Marquis Charles de Ferriol. Van Mour was invited to go to Istanbul when De Ferriol was appointed there as the French Ambassador in 1699. De Ferriol commissioned van Mour to do one hundred portraits of the local people. In 1711 De Ferriol returned to France and van Mour worked for a variety of other diplomats. In the meantime De Ferriol published a series of one hundred engravings (after the paintings) in Recueil de cent estampes representant differentes nations du Levant. The book had a great influence in Western Europe and was published in at least five languages. Painting audiences with the Sultan became van Mour's speciality; he only had to change the setting and a few faces. Van Mour worked with assistants to fulfill all his obligations. In 1725 he was granted the extraordinary title of Peintre Ordinaire du Roy en Levant in recognition of both his and the Levant's importance to the French government. In 1727 the Dutch ambassador Cornelis Calkoen asked Van Mour to record his audience with Sultan Ahmed III on canvas. Van Mour was allowed to enter the palace during these ceremonies accompanying the ambassador and his retinue; therefore, he was familiar with the special protocol that prevailed in the Ottoman court for ambassador's receptions. Calkoen took many paintings of Jean-Baptiste van Mour with him, when he was appointed as ambassador in Dresden for the Dutch Republic. In his will of 1762 the bachelor Calkoen forbade his heirs to sell the paintings, which are now part of the Rijksmuseum collection.
Sir George Clausen,RA
1852-1944 English painter. He was the son of a Danish interior decorator and a woman of Scottish descent. At 14 he was apprenticed to the drawing office of Messrs Trollope, a London firm of decorators. While working there he attended evening classes at the National Art Training School, South Kensington, but his first important artistic contact came when he was sent to decorate a door at the home of the painter Edwin Long. With Long's encouragement, Clausen obtained a two-year scholarship to the South Kensington School of Art and then decided to further his training at the Antwerp Academy. After studying briefly under Professor Joseph Van Lerius (1823-76), he began to sketch in the fishing villages along the Dutch coast; the product of these studies